Writing Histories
Thursday 13 August 2026, 5.00 pm IST
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Respondent:
Dhara Patel
(TU Darmstadt)
The Social Object: Apprehending Materiality for Industrial Design Practice
Soumitri Varadarajan
(RMIT University)
The Social Object: Apprehending Materiality for Industrial Design Practice (Intellect Books) uses design history, material culture studies, and the social construction of technology to examine domestic spaces and objects in middle-class Indian homes, exploring how people make meaning of the things they buy, own, and gift. Chapter 3, "The Right Way," is an autoethnographic, autobiographical account of the author's grandfather's Tamil Iyengar Brahmin household in Chennai, using personal and family memory as a historical source. It offers a room-by-room spatial analysis of the 1931 Agraharam-style house, tracing concepts of ritual purity and pollution, food rules, and gendered space, before turning to structuralist frameworks (Bourdieu, Douglas, Saussure) to argue these practices form a coherent symbolic "cosmology."
Beyond the measured house
Piyush Das & Zahra Yasmoon
(Manipal Academy of Higher Education, Dubai & VIT University, Vellore)
The presentation examines the historic domestic architecture in Southern India beyond its conventional reading through form, typology and climate response. Drawing upon documented rural dwellings from an inland agrarian landscape and matrilineal ancestral courtyard houses from the western coast, one investigates the houses as spatial systems constituted through gender, kinship, caste, ritual practice and the relations with the non-human world. One observes thresholds, courtyards, prayer spaces, cooking systems and the territorial systems of spaces where access and movements are conditioned by gender, family position, bodily & ritual state, and notions of purity. While the investigations expand to the idea of meaning of the biotic and the abiotic in the context of architectural narratives of the houses, it does pay attention to, and places measured documentation in dialogue with oral histories (while attempting to decode the dilemma of oral history vs. oral narratives) and situated accounts.